Warning: This is an advanced concept, which could get you into trouble if you’re not careful

By Jon Liebman
December 19, 2024

As a bass player, a big part of your job is to outline the harmony of whatever piece you’re playing. Generally that includes playing the root of the chord on the downbeat of the bar where that chord is first introduced.

In fact, that “rule” has probably been drilled into you ever since you first set out to learn the instrument.

But just how flexible is that rule? What if you didn’t always play the root on the downbeat? 

Would the music totally fall apart? 

Would the rest of the band members totally freak out? 

Would the audience get up and leave?

Not if you do it right.

This is an advanced concept, mostly associated with jazz, but it can be applied to other styles as well. It requires a good understanding of music theory and excellent listening skills. 

It can also get you into trouble if you’re not careful, so if you try it, make sure you proceed with caution.

Take a look at this week’s video, where I share some insights on the subject, including a couple references to conversations I’ve had about it with Ron Carter and John Clayton.

Leave a comment below with your thoughts. I’m interested in your views.

Let’s play bass!

Jon