Is it because all the “good” instruments were taken?
By Jon Liebman
November 15, 2018
Having conducted somewhere around 600 bass player interviews (so far), I’ve found only a handful of players that started on bass as their first instrument. Most bassists, it seems, began on other instruments, then, for a variety of reasons switched over. The list includes everyone from Paul McCartney (trumpet) and Lemmy (guitar), to Mark Egan (trumpet), Will Lee (violin, trumpet, French horn), Chuck Rainey (piano, viola, trumpet, baritone horn), and many others.
This week’s interviewee, Scott Whitley, was actually a drummer before he became a bass player. “I kinda got pushed onto the bass,” he says, thinking (hoping?) it was only temporary. Then he discovered Mark King of Level 42 and decided that “bass was cool.” Scott eventually embarked on what turned out to be a long and successful music career – as a bass player. Currently playing with Big Country, Scott has also held down the low end for the Animals, Boomtown Rats and loads of other musical acts.
We bass players have come a long way, from the days when our stature was that of an “unimportant” player. The bassist was just someone who stood in the background and went 1-5, 1-5 all night long. Or, as the inimitable Mike Watt once told me, the role of bass was “where you put your retarded friend” (his words, not mine).
While we may not be 100% there yet in terms of having attained all the respect we deserve, the bass has truly become a force to be reckoned with, indelibly fixated on the musical map, thanks in no small part to Jaco Pastorius, Stanley Clarke, Billy Sheehan, Marcus Miller, Hadrien Feraud, and so many other great innovators.
How about you? Did you go straight for the bass, or did you take more of a meandering path to get down here? Feel free to leave a comment.
In the meantime, check out my interview with Scott here.